"What can be more tragic than to feel the grandeur of the surrounding
and to be able to see in it its underlying mystery... and yet to be
aware of your own
inability to express these large feelings"-- Isaak Levitan
Isaak Levitan was born in 1860 in Kibarty, a small town in Lithuania,
to the family of a blue-collar railroad worker. From 1873 to 1885, he
attended the Moscow College of Painting, Sculpture and Architecture
in Moscow, Russia. He studied under the famous Russian painters Savrasov
and Polenov. From 1884, he displayed his paintings with the Society
for Circulating Art Exhibitions* and in 1891 became member of the
Society. From 1898, Levitan taught landscape painting at the Moscow
College of Painting, Sculpture and Architecture.
Over the 40 years of his life, Isaak Levitan produced many landscapes
which were later recognized as the finest masterpieces of Russian art.
Levitan never looked for exotic and pretentious subjects for his painting.
Although he traveled to other countries, he remained faithful to simple
poetic motifs of his native land. The natural simplicity of motif and
composition is the hallmark of Levitan's artistic genius.
It was evident from the very outset of Levitan's career that he had
an extraordinary ability to awaken deep feelings by the means of landscape
painting. Even though people are usually absent from his canvases, his
works unfailingly speak of humanity. Levitan's paintings tell us something
about ourselves by touching the chords of our spirit. Nature is presented
through the prism of personal human experience. Hence Levitan's landscapes
are often reckoned philosophical and psychological. The complexity of
the human soul and the destiny of human being are the true subjects
of his works.
In his early years, Levitan painted views of various places in the Moscow
area. One of the best works of this period is "Autumn
day. Sokolniky." This piece is the artist's elegy to the gray
autumn day in one of the Moscow parks.
During the second period of his artistic career, Levitan was inspired
the Volga. The painter spent several summers on the banks of the great
Russian river. Plyos, a small town on the Volga, was Levitan's favorite
spot, where he painted several canvases which made an invaluable contribution
to the advancement of landscape painting in Russia.
From 1892 to 1895, Levitan divided his time between the towns of Vladimir,
Vyshny Volochek, and the Tver region. The works of this period are considered
to be the most powerful philosophical reflections of the artist on the
destiny of man. The canvas "By
the Deep Waters" conjures up the images of folk tales about
the drowned. "The
Vladimirka Road" depicts the route which was customarily used
to lead prisoners to exile in the Siberia. "Over
the Eternal Rest" speaks of the irreconcilable dualism of life
and death. But not all the paintings of this period are characterized
by such a dramatic outlook. A joyous hymn to life is heard in such works
Wind. The Volga," and "The
The last large canvas by Levitan is titled "The
Lake. Rus." This monumental work, perhaps, parallels Rachmaninov's
Second Piano Concerto. The artist's goal was to create an image that
would be a summation of all that from the artist's perspective was typically
Russian: vast expanses of water and land, white silhouettes of churches,
enormous clouds driven by the wind, and rustling reeds. The canvas remained
unfinished due to the painter's death. Isaak Levitan was buried at the
Novodevichiye cemetery in Moscow in 1900.
The great Russian opera singer Fyodor Shalyapin, a friend of Levitan's,
spoke of the art of the
It has helped me realize that the most important thing in art is this
feeling, this spirit, this
prophetic word that sets the human heart on fire... and this prophetic
word can be expressed not only in speech and gesture but also in line
* The Society for Circulating Art Exhibitions (1870-1923) was a major
democratic association of Russian realist painters. It united many progressive-minded
personalities of the time. The members of the Society organized annual
art exhibits in St. Petersburg and Moscow. These exhibits were then
displayed in provincial towns.The popularization of the art of painting
was the greatest contribution of the Society to Russian culture.The
members of the Society are also known as the Itinerants (Peredvizhniky).
Among the Itinerants were Kramskoy, Repin, Surikov, Polenov, Shishkin,
Serov, and other famous Russian realist painters.
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